signal processors

Produits


  • Radial Phazer Class-A analogue Phase adjustment tool

    Radial Phazer Class-A analogue Phase adjustment tool

    The Radial Phazer is an analogue phase alignment tool that lets you bring two sound sources together so that the fundamentals play in sync. Once in phase, the results are impressive: On electric guitar; you can combine the direct feed of an amp with a room mic to create fat rich tones. On a kick drum, combine the 'attack' sound from a batter head mic with the 'boom' captured by the outer shell mic. On a snare drum, combine the top and bottom mics and on acoustic instruments, combine a close 'spot' mic with a room mic to capture textures like never before.
    R800 1450
    CA$339.99
     
  • TL Audio Ivory 5060 Preset 2-Channel Tube Compressor EQ

    TL Audio Ivory 5060 Preset 2-Channel Tube Compressor EQ

    Using the same high-quality discrete microphone preamp as other Ivory 2 products, the 5060 also has stereo line level or stereo instrument inputs. The 5060 is equally versatile as a front-end tracking device as it is for the final stage mixdown or mastering compressor. One set of controls operates both the channels for quick and easy setup. The compressor section has 15 expertly programmed presets designed to work with a typical selection of vocal and instrumental sources as well as a manual mode for self adjustment of the compressor. The output section includes a Fat EQ switch for adding some presence or weight to your signal. As with all the mono or stereo Ivory 2 units, it is possible to fit the optional D0-2 converter card into the 5060 for premium quality 24-bit SPDIF analog-to-digital conversion. This allows you to connect to your hard disc recorder, mixer, or soundcard in either an analog or digital format. The combination of flexibility, ease of use, and the renowned warmth of the TL Audio valve circuit design makes the 5060 unbeatable for value and performance. TL Audio Ivory 5060 Preset 2-Channel Tube Compressor EQ Specifications: Preamp: Input Gain +16 to +60dB (mic input), -20 to +20dB (line input) Compressor: Threshold: +10 to 0dB Ratio: 1:1.5 to 1:30 Attack: 0.5 or 5ms Release: 0.2 or 1.5s Gain Make Up: 0 to +20dB, Fat EQ +2dB @ 50Hz, -0.9dB @ 720Hz, +1.8dB @ 10kHz Master Section Output Gain: -? to +15dB PSU: Internally adjustable for 230V 50Hz or 115V 60Hz operation Typical Consumption: 30VA Dimensions: W: 483 x H: 88 x D: 200mm (2U 19" rack mounting) Shipping Weight: 6kg TL Audio Ivory 5060 Preset 2-Channel Tube Compressor EQ Features: Valve preamp stage with mic, line, and front panel instrument inputs Compressor with 15 presets and a manual mode with user adjustable controls Hi-pass 90Hz filter on the input stage with Fat EQ contour at the output stage VU metering of output level, output level +10dB and compressor gain reduction One set of controls for mono or stereo use Automatic linking for stereo signals 24-bit digital interfacing via the optional DO-2 digital output card
    MM-Ivory5060
    CA$799.99
    CA$879.00 économisez 9%
  • TL Audio Ivory 5051 Mono Tube Voice Processor

    TL Audio Ivory 5051 Mono Tube Voice Processor

    The single channel voice processor format has become the accepted way of getting the most out of any sound source. The 5051 provides the perfect front end for any system by offering a combined preamp, compressor, equalizer, and noise gate all in one easy-to-use package: now with an optional digital output. The 5051 compressor section is identical to that of the 5021 and includes hard/soft knee modes, and the four-band equalizer section is modeled on that of the legendary TL Audio EQ-1, yielding superb results instantly, with an improved optical gate for removing unwanted source noise. So whatever your source, let the 5051 unlock its true potential. The 5051 features six valve stages, supplied by three twin triode ECC83/12AX7A valves running from a stabilized 150V DC power supply. One valve stage is located in the preamp, one in the compressor gain control circuit, and four in the equalizer section. TL Audio TL Audio Ivory 5051 Mono Tube Voice Processor Specifications: Mic Input: Mic Noise (EIN): -127dBu (150 ohm source, 22Hz to 22kHz) Line Input (Balanced): Maximum level: +26dBu Line Output (Balanced): Maximum level: +26dBu Frequency Response: 10Hz to 40kHz, +0, -1dB Noise: -80dBu (22Hz to 22kHz) Dynamic Range: 106dB Power Supply: Consumption: 20VA typical Dimensions: 483 x 200 x 88mm Shipping Weight: 6kg TL Audio TL Audio Ivory 5051 Mono Tube Voice Processor Features: New Preamp stage provides Input Gain, 48V, 90Hz filter and 30dB pad Compressor section with control of: Threshold, Ratio, Gain Make-Up and Output Gain New Hard/soft knee compression modes Four switchable Attack times from Fast (0.5mS) through to Slow (40mS) Four switchable Release times from Fast (40mS) through to Slow (4S) New Optical gate with variable control of Threshold (from -10dB to off) Switchable VU metering of input level, output level or gain reduction Drive and Peak LEDs to indicate internal signal level Front panel instrument input (for guitar, keyboard, etc.) Balanced XLR mic input LF EQ band gives
    MM-Ivory5051
    CA$979.99
    CA$1099.00 économisez 11%
  • TL Audio Ebony A2 Tube Stereo Processor

    TL Audio Ebony A2 Tube Stereo Processor

    The Ebony A2 Tube Stereo Processor is a sleek-looking discrete Class A processor designed to heighten your audio experience. It uses Discrete Class A circuitry and has an optional tube stage with variable drive putting you in control of how creamy or how cool your unit sounds. Hand assembled in England to the highest standards, the Ebony uses stylish, quality chrome knobs together with a high-gloss black finish to make the exterior look just as smooth as the circuits sound. The Ebony Series have all the features you come to expect with TL Audio, including balanced I/O, multi input options, analogue VU metering and intuitive, precise controls. All units are also compatible with the TL Audio DO-2 digital SPDIF interface for easy digital connectivity with high quality conversion. A combination of supreme quality, unrivalled sound, and stylish aesthetics: This range offers superior analog processing to accompany a digital world.
    MM-Ebony A2
    CA$1599.00
     
  • TL Audio C-1 2-Channel Valve Tube Compressor

    TL Audio C-1 2-Channel Valve Tube Compressor

    The new C-1 compressor maintains its position among the most flexible, polished-sounding high-end compressors on the market today. Featuring a spectacular raven blue 6mm milled aluminum front panel, General Electric US military-specification valves, high retention gold-plated ceramic valve bases and circular back-lit VU meters, the new C-1 is even fatter sounding and more rugged than its legendary predecessor. All controls are continuously variable (unlike some other units with switched parameters) and high-quality onboard mic preamps allow direct-to-tape recording of microphone sources. Stereo front panel instrument inputs mean a keyboard or guitar can feed straight into the C-1 and down to tape with a minimum of fuss. Whether the C-1 is tracking vocals and instruments or adding roundness and warmth to a complete mix, it will become an indispensable part of your signal path within hours. The C-1 features a low-noise solid state preamp followed by two valve stages per channel. The valves are General Electric ECC83/12AX7A types, run from a stabilized 250v DC power supply. The first valve stage acts as a voltage amplifier, with the second stage forming part of the gain control element. The gain control is performed by TL Audio's own unique transconductance stage that avoids the use of VCAs, thus improving transparency and minimizing distortion, which is virtually constant at 0.05% over the full bandwidth. The frequency response of the C-1 is virtually flat between 20Hz and 40kHz, and measured between -3dB points, the C-1's bandwidth is a staggering 5Hz to 70kHz. TL Audio C-1 2-Channel Valve Tube Compressor Specifications: Mic Input: Impedance: > 10k Gain range: +16 to +60dB Input noise (EIN): -126 dBu (22Hz-22kHz) Max input level: +10dBu Balanced XLR connector Line Input: (Balanced) Impedance: > 5k Gain range: -10dB to +35dB Max input level: +30dBu XLR connector (Unbalanced) Impedance: > 5k Gain range: -10dB to +35dB Max input level: +24dBu Jack connector Auxiliary input: Two unbalanced jack connectors for stereo operation, or Input A may be used to drive both channels Max input level: +10dBu Switchable sensitivity for guitar or keyboards Output: Balanced output impedance: < 10 Max level: +22dBu into 600 Unbalanced output impedance: 47 Max level: +20dBu into 10k Sidechain insert point: stereo jack, tip=send, ring=return Nominal level: -2dBu Output impedance: 47, Return input impedance: 10k Compressor Functions (all continuously variable): Threshold: -20dBu to +20dBu Attack: 0.5mS to 50mS Release: 40mS to 4S Ratio: 1:1.5 to 1:30 Gain Make Up: 0dB to +20dB Frequency response: 20Hz to 40kHz +0 / -1dB Distortion: 0.05% (10Hz-40kHz) Dynamic Range: 100dB Power supply: 110-120v or 220-240v AC Power consumption: 30VA typical Dimensions: 483 x 205 x 88mm (19" 2U) Weight: 5kg. Shipping Weight: 6kg. TL Audio C-1 2-Channel Valve Tube Compressor Features: 2-channels of soft knee, variable-ratio compression Balanced mic and line level inputs Balanced line outputs, switchable for -10dB or +4dB operation Unbalanced jack I/O connections Stereo front panel instrument inputs with gain control and sensitivity switch (for guitar or keyboards etc.) Sidechain insert points for frequency conscious compression 48V phantom power 90Hz high-pass filter switch (12dB / octave), applies to all inputs Continuously variable Input Gain, Threshold, Attack/Release times, Compression Ratio, and Gain Make Up Program-dependent compression characteristic: attack and release times automatically adjust in response to program material Stereo Link mode: gangs Threshold, Attack, Release and Ratio controls for processing stereo signal sources Back-lit circular VU meters allow monitoring of either output level or gain reduction Bypass switch with LED Frequency response 20Hz to 40kHz +0 / -1dB
    MM-C1
    CA$1939.99
    CA$2199.00 économisez 12%
  • TL Audio Classic EQ-2

    TL Audio Classic EQ-2

    No other high end equaliser can offer the same degree of power and flexibility as the new TL Audio EQ-2.

    Like the C-1 and PA-1, the EQ-2 features a raven blue 6mm CNC milled aluminium front panel, General Electric US military specification valves and high retention gold plated ceramic valve bases, but we've also added two much-requested features: a peaking/shelving switch on the LF and HF bands, and drive/peak LEDs. The internal circuit design has also been refined quite significantly to produce an even fatter, smoother sounding equaliser. The EQ-2 boasts two channels of fully parametric 4 band valve equalisation - which in conjunction with variable high and low cut filters offers unlimited control of any audio source. But that's not all - unlike many valve equalisers, the EQ-2 provides continuously variable frequency controls, so choice of frequency is not limited to switched selections. It also features a pair of the acclaimed TL Audio mic preamps (with phantom power), to enable high quality direct-to-tape microphone recording, and a pair of front panel auxiliary inputs enable a guitar or keyboard to directly access the EQ-2. Another brilliant refinement is the "stereo mode" switch - when activated, the EQ controls of channel A automatically process the signal on channel B in an identical fashion - thus the audio signals through both channels have the same EQ applied to them: ideal for precise equalisation of stereo sources and overall mixes. Quite simply we believe that the EQ-2 is one of the best sounding and most versatile equalisers currently available! The EQ-2 employs a total of six valve

    MM-TL-EQ-2
    CA$1999.00
     
  • TL Audio Ivory 5052 Stereo Valve Tube Processor

    TL Audio Ivory 5052 Stereo Valve Tube Processor

    The TL Audio 5052 Stereo Valve Processor is the latest addition to the best-selling Ivory 2 series. The 5052 provides everything you would expect from a high quality channel strip product, and then doubles it,making it the ideal system front end and the perfect stereo mixdown and mastering device. While most channel strip products provide a single mono channel made up of preamp, dynamics and EQ stages, the 5052 provides two channels of each with independent stereo linking of the compressor, EQ, and limiter sections. Recording a mono or stereo source to multi-track through the 5052 becomes simplicity itself, yet when it comes to mixdown, the 5052 comes into its own by offering full stereo linked EQ and dynamics, allowing unparalleled processing of the stereo buss while mixing. Couple this supreme flexibility with TL Audio's class-leading valve circuit design, and the 5052 represents the ultimate tracking and mixing tool for today's digital environment. The 5052 utilizes six triode valve stages shared between the two channels, run from a high-quality internal 150V stabilized DC supply. TL Audio Ivory 5052 Stereo Valve Tube Processor Specifications: Preamp Input Gain: +16 to +60dB (mic input), -20 to +20dB (line input) Compressor: Threshold: +10 to -20dB, Ratio: 1:1.5 to 1:30 Attack: 0.5mS to 50mS ,Release: 40mS to 4S Gain Make Up: 0 to +20dB Equalizer: LF band: +/-15dB from 30Hz to 1kHz, shelving or peaking modes LM band: +/- 15dB from 50Hz to 3kHz, fully parametric, (Q variable between 0.5 and 5) HM band: +/- 15dB from 1kHz to 12kHz, fully parametric (Q variable between 0.5 and 5) HF band: +/- 15dB from 3kHz to 20kHz, shelving or peaking modes Limiter threshold variable: 0 to +20dB Master section output gain: to +15dB PSU internally adjustable for 115/230V operation Typical consumption: 30VA Dimensions: 483 x 250 x 132mm (3U 19?rack mounting) Shipping Weight: 9kg TL Audio Ivory 5052 Stereo Valve Tube Processor Features: Valve preamp stage with mic, line and instrument connections Valve compressor section with variable control of all parameters and both hard/soft knee modes Four-band valve EQ section with swept LF/HF bands and parametric mids Optical output limiter for transparent brick wall limiting VU metering of input level, output level and gain reduction Full stereo linking of compressor, EQ and limiter sections A wealth of analogue input, output and insert connections 24 bit digital interfacing via the optional DO-2 digital output card
    MM-Ivory5052
    CA$2459.99
    CA$2639.00 économisez 7%
  • Avalon VT-747SP Stereo Compressor EQ

    Avalon VT-747SP Stereo Compressor EQ

    The Avalon VT-747SP Stereo Compressor|EQ lets you choose between tube tone and the classic Class A discrete transistor sound. Ideal for high-performance DAW input signal conditioning, stereo bus compression-EQ, stereo keyboards, and analog mastering applications. This Avalon Compressor combines a stereo tube-discrete Class A opto-compressor with musical 6-band program EQ, L-R output level and gain reduction metering, and internal regulated power supplies. All in just 2 rackspaces. Avalon VT-747SP Stereo Compressor EQ Specifications: Circuit topology: 3 dual triode vacuum tubes (Sovtek 6922), high-voltage discrete Class A mode Input gain range: Balanced, Class A, 20kOhms, -20dB to +16dB with high gain switch Maximum input level: +36dB balanced XLR pin 2 hot Maximum output level: +30dB balanced 600 ohms, DC coupled, discrete Class A Output type: XLR connector, output trim gain -45dB to +6dB Noise: 20kHz unweighted -92dB Distortion: THD, IMD: 0.5% Frequency response: -3dB 1Hz-200kHz Gain reduction meter: High quality, illuminated gain reduction meter 0dB to -20dB range Output meter: Twin 20-segment LED VU meters with -27dB to +30dB range Compressor type: Optical passive attenuator Make-up gain: Variable 0dB to +10dB stereo tracking Threshold - Ratio: Threshold variable -30dB to +20dB, ratio-compression variable 1:1 to 20:1 Attack - Release: Attack variable 2mS to 200mS, release variable 100mS to 5 seconds Sidechain spectral contour: Variable threshold -15dB to +15dB, frequency 70Hz to 9kHz twin ranges Equalizer type: Discrete Class A, passive design optimized for full range program material Frequency bands (6): Variable amplitude LF +/-24dB 15Hz shelf response Variable amplitude MF1 ±8dB 125Hz selected Q response Variable amplitude MF2 ±4dB 500Hz selected Q response Variable amplitude MF3 ±4dB 2kHz selected Q response Variable amplitude MF4 ±10dB 5kHz shelf response Variable amplitude HF ±20dB 32kHz shelf response AC power: Internal toroidal 100V to 240V, 50-60Hz selectable, 70 watts maximum Dimensions: 19" x 12" x 3-1/2" (482 x 305 x 89mm) Weight: 22 lbs. (10kg) Weight-packed: 26 lbs. (11.8kg) Avalon VT-747SP Stereo Compressor EQ Features: Stereo Class A 6-band discrete passive program EQ TSP twin signal path, vacuum tube bypass Low noise -92dB Fully balanced Class A input and DC coupled outputs Stereo dynamic 60dB high resolution output meters High-quality analog VU meter for gain reduction High headroom +36dB input before overload Spectral side-chain monitor for pre listen EQ pre-post selection for opto-compressor Sealed silver relays for all signal routing Internal discrete regulated power supplies Military spec vacuum tubes for long life and low noise
    VT-747SP
    CA$3085.00
     
  • Avalon VT-737SP Mono Mic Pre/Compressor/EQ

    Avalon VT-737SP Mono Mic Pre/Compressor/EQ

    The Avalon Vt 737sp Mono Mic Pre/Compressor/EQ is a combination tube preamp, opto-compressor and sweep equalizer, with output level and VU metering in 2 rackspaces. Balanced mic, front-panel instrument DI, and balanced line inputs. Class A preamp uses 2 cascaded, dual vacuum-tube triodes configured with minimum negative feedback. The Avalon Vt 737sp has a high-gain switch, high-pass filter, and hardwire relay bypass. Avalon Vt 737sp Mono Mic Pre/Compressor/EQ Specifications: Circuit topology: 4 dual triode vacuum tubes (Sovtek 6922), high-voltage discrete Class A Gain Range Microphone: Transformer balanced 850/2500 ohm, 0dB to +58dB Instrument: Unbalanced 1 meg ohm, 0dB to +30dB Line: Balanced Class A 20k ohms, -27dB to 28dB Maximum input level and connector types: Microphone26dB@25Hz, +30dB@1kHz balanced XLR Instrument+30dB unbalanced front panel jack socket Line +36dB balanced XLR Maximum output level: +30dB balanced 600 ohms, DC coupled, discrete Class A Output type and gain: XLR connector, output trim gain -45dB to20dB Noise 20kHz unweighted: -92dB Noise microphone EIN: -116dB, 22Hz-22kHz unweighted Distortion THD, IMD: 0.5% Frequency response -2.5dB: 10Hz-120kHz input filter included Frequency response -3dB: 1Hz-200kHz line in-out VU meter and gain reduction: High quality illuminated OVU =+4dB and gain reduction to -20dB High cut filter: Variable 6dB per octave 30Hz-140Hz Compressor type: Optical passive attenuator incorporating twin vacuum tubes and stereo link Threshold - Ratio: Threshold variable -30dB to +20dB, ratio-compression variable 1:1 to 20:1 Attack - Release: Attack variable 2mS to 200mS, release variable 100mS to 5 seconds Equalizer type: Discrete Class A, variable active and switched passive design Frequency bands (4): Treble - switched 10kHz, 15kHz, 20kHz, 32kHz, ±20dB range, shelf High mid - variable 200Hz-28kHz and 2kHz -28kHz, ±6dB range, hi-lo Q Low mid - variable 30Hz-450Hz and 300Hz-4k5Hz, ±16dB range, hi-lo Q Bass - switched 15Hz, 30Hz, 60Hz, 150Hz, ±24dB range, shelf AC power: Internal toroidal 100v to 240v, 50-60Hz selectable, 75 watts maximum Dimensions: 19 x 12 x 3.5 in (482 x 305 x 89mm) Weight: 22lbs. (10kg) Avalon Vt 737sp Mono Mic Pre/Compressor/EQ Features: Tube preamp Opto-compressor Sweep equalizer Output level control VU metering Balanced mic input, front-panel instrument DI, and balanced line inputs High-gain switch High-pass filter Hardwire relay bypass
    VT-737SP
    CA$3330.00
     

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